{"id":870148,"date":"2026-03-18T07:43:44","date_gmt":"2026-03-18T14:43:44","guid":{"rendered":"https:\/\/www.sfmoma.org\/?page_id=870148"},"modified":"2026-04-16T09:30:23","modified_gmt":"2026-04-16T16:30:23","slug":"reimagined-the-fisher-collection-at-10-opening-countdown","status":"publish","type":"page","link":"https:\/\/www.sfmoma.org\/reimagined-the-fisher-collection-at-10-opening-countdown\/","title":{"rendered":"<em>Reimagined: The Fisher Collection at 10<\/em> Opening Countdown"},"content":{"rendered":"Count down with us to the reopening of <em>Reimagined: The Fisher Collection at 10<\/em>. Each day, discover highlights from the newly transformed galleries presenting the <a href=\"https:\/\/www.sfmoma.org\/artists-artworks\/fisher-collection\/\" style=\"color:black;text-decoration:underline\">Doris and Donald Fisher Collection<\/a>\u2014nearly 250 artworks across four floors, reimagined for the first time in a decade. Click or tap on each door to learn more!\r\n\r\n<link href=\"\/wp-content\/themes\/sfmomatheme\/css\/opener.css?v=1.7\" rel=\"stylesheet\">\r\n<div class=\"support-grid\"><\/div>\r\n\r\n<section class=\"grid-1\" id=\"calendar-container\" data-year=\"2026\">\r\n    <div id=\"day-1\" data-date=\"2026-03-18\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">32<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17141322\/1991_Don-and-Doris_002.jpg\" alt=\"Thumbnail 32\">\r\n                    <p class=\"title\">Doris and Don Fisher<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-32\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-32\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17141322\/1991_Don-and-Doris_002.jpg\" alt=\"Portrait of Don and Doris Fisher sitting together in 1991\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Doris and Don Fisher, 1991; photo: courtesy Gap Archives<\/p>\r\n            <h2 id=\"modal-title\">Doris and Don Fisher<\/h2>\r\n            <div>\r\n                <p>Formed by the Gap Inc. founders beginning in the mid-1970s, the <a href=\"https:\/\/www.sfmoma.org\/artists-artworks\/?_on_view=0&#038;_collection_id=155\">Doris and Donald Fisher Collection<\/a> is one of the world\u2019s leading private collections of contemporary art. For decades, the Fishers have played a central role at SFMOMA through board leadership, major gifts of art, and sustained support for exhibitions and education, a relationship that continues through an unprecedented partnership to present the collection at the museum. Learn more about them <a href=\"https:\/\/www.sfmoma.org\/artists-artworks\/fisher-collection\/\">here<\/a>.<\/p>\r\n            <\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-2\" data-date=\"2026-03-19\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">31<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/13150528\/3.-The-new-SFMOMA-from-Howard-Street-photo-by-Devlin-Shand-courtesy-Drew-Altizer-Photography-Large-JPEG_5x7.jpg\" alt=\"Thumbnail 31\">\r\n                    <p class=\"title\">A Decade on View<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-31\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-31\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/13150528\/3.-The-new-SFMOMA-from-Howard-Street-photo-by-Devlin-Shand-courtesy-Drew-Altizer-Photography-Large-JPEG_5x7.jpg\" alt=\"Exterior view of the new SFMOMA building from Howard Street\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">The new SFMOMA from Howard Street; photo by Devlin Shand, courtesy Drew Altizer Photography<\/p>\r\n            <h2 id=\"modal-title\">A Decade on View<\/h2>\r\n            <div><p>Every 10 years, SFMOMA dedicates the Fisher galleries solely to Fisher Collection works, reflecting the singularity of the collection and reinvigorating the experience of those works for new and returning audiences. First introduced with SFMOMA\u2019s 2016 expansion, the Fisher Collection at SFMOMA is <a href=\"https:\/\/www.sfmoma.org\/read\/reimagining-the-fisher-collection\/\">now undergoing its most significant transformation<\/a> to date, after a decade on view. In spring 2026, it will return as a fully reimagined installation, offering a more accessible and engaging experience. Count down here with us as we prepare for its reopening!<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-3\" data-date=\"2026-03-20\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">30<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17172730\/Accessibility_Offerings.jpg\" alt=\"Thumbnail 30\">\r\n                    <p class=\"title\">Accessibility Offerings<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-30\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-30\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17172730\/Accessibility_Offerings.jpg\" alt=\"SFMOMA museum visitors looking at art in a gallery\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">SFMOMA museum visitors; photo: Don Ross<\/p>\r\n            <h2 id=\"modal-title\">Accessibility Offerings<\/h2>\r\n            <div><p>Integrated accessibility features such as visual descriptions, captioned media, tactile experiences, and supportive seating are woven throughout each floor. Together, these efforts make the reinstallation a model for new approaches, informing future practices across the museum.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-4\" data-date=\"2026-03-21\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">29<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092006\/CupidsSpan_500_FisherCountdown.jpg\" alt=\"Thumbnail 29\">\r\n                    <p class=\"title\">Floor 3 \u2013 Claes Oldenburg + Coosje van Bruggen<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-29\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-29\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092006\/CupidsSpan_500_FisherCountdown.jpg\" alt=\"Sculpture Cupid's Span by Claes Oldenburg and Coosje van Bruggen\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Claes Oldenburg and Coosje van Bruggen, <em>Cupid\u2019s Span<\/em>, 2002; gift of Doris and Donald Fisher to the city of San Francisco; \u00a9 The Claes Oldenburg and Coosje van Bruggen Estate; photo: \u00a9 Henrik Kam<\/p>\r\n            <h2 id=\"modal-title\">Floor 3 \u2013 Claes Oldenburg + Coosje van Bruggen: Thinking Big<\/h2>\r\n            <div><p>This gallery is dedicated to sculptures and models for the artists\u2019 large-scale projects. For over three decades, the husband\u2011and\u2011wife team transformed everyday objects into monumental sculptures and urban landmarks around the world. The works are presented alongside large\u2011scale photographs and diagrams of their public monuments.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-5\" data-date=\"2026-03-22\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">28<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092040\/Spider_500_FisherCountdown.jpg\" alt=\"Thumbnail 28\">\r\n                    <p class=\"title\">Louise Bourgeois, <em>Spider<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-28\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-28\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092040\/Spider_500_FisherCountdown.jpg\" alt=\"Large spider sculpture by Louise Bourgeois\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Louise Bourgeois, <em>Spider<\/em>, 1995; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 The Easton Foundation\/Licensed by VAGA at ARS, New York, NY; photo: Katherine Du Tiel<\/p>\r\n            <h2 id=\"modal-title\">Louise Bourgeois, <em>Spider<\/em><\/h2>\r\n            <div><p>Back on view since 2019, <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.555.A-J\/\"><em>Spider<\/em> (1995)<\/a> is a signature work by French artist Louise Bourgeois, whose career spanned more than seven decades and who began exploring the spider motif in the 1940s. Over eight feet tall, the sculpture transforms a familiar creature into something monumental and unsettling, prompting viewers to consider whether it represents a monster, a protector, or both.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-6\" data-date=\"2026-03-23\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">27<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092030\/PreparingTheFlute_500_FisherCountdown.jpg\" alt=\"Thumbnail 27\">\r\n                    <p class=\"title\">William Kentridge, <em>Preparing the Flute<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-27\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-27\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092030\/PreparingTheFlute_500_FisherCountdown.jpg\" alt=\"Model theater installation Preparing the Flute by William Kentridge\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">William Kentridge, <em>Preparing the Flute<\/em>, 2005; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art, fractional purchase and promised gift; \u00a9 William J. Kentridge; photo: Katherine Du Tiel<\/p>\r\n            <h2 id=\"modal-title\">William Kentridge, <em>Preparing the Flute<\/em><\/h2>\r\n            <div><p>South African artist William Kentridge moves fluidly across media, creating installations, films, drawings, and operas. The model theater in <a href=\"https:\/\/www.sfmoma.org\/artwork\/2006.79.A-C\/\"><em>Preparing the Flute<\/em> (2005)<\/a> became a testing ground for his staging of Mozart\u2019s <em>The Magic Flute<\/em>, an opera that depicts a conflict between superstition and reason. Kentridge draws image on top of image, layering shapes and ideas as they occur to him, layers that fade and transform, until, as he says, \u201call that you see at each moment is the present.\u201d<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-7\" data-date=\"2026-03-24\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">26<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092028\/Passage_500_FisherCountdown.jpg\" alt=\"Thumbnail 26\">\r\n                    <p class=\"title\">Shirin Neshat, <em>Passage<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-26\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-26\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092028\/Passage_500_FisherCountdown.jpg\" alt=\"Still from the video artwork Passage by Shirin Neshat\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Shirin Neshat, <em>Passage<\/em>, 2001 (still); the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Shirin Neshat<\/p>\r\n            <h2 id=\"modal-title\">Shirin Neshat, <em>Passage<\/em><\/h2>\r\n            <div><p><a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.716\/\"><em>Passage<\/em> (2001)<\/a> presents a Muslim funeral rite unfolding across three parallel scenes that converge only at the film\u2019s end. Inspired by televised images of the Palestinian\u2011Israeli conflict, the work unfolds as a quiet meditation on loss, grief, and hope.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-8\" data-date=\"2026-03-25\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">25<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17114912\/Fisher_3DScan_TactileObject.png\" alt=\"Thumbnail 25\">\r\n                    <p class=\"title\">Tactile Objects<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-25\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-25\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17114912\/Fisher_3DScan_TactileObject.png\" alt=\"Visitor interacting with a tactile object in the gallery\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Tactile object creation by 3D scan imaging of Elizabeth Murray, <em>Things to Come<\/em>, 1988; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Estate of Elizabeth Murray \/ Artists Rights Society (ARS), New York<\/p>\r\n            <h2 id=\"modal-title\">Tactile Objects<\/h2>\r\n            <div><p>Throughout the reimagined installation of the Fisher Collection, tactile elements invite visitors to engage through touch, offering multiple ways to connect with and understand the artworks, including tactile markers for accessibility.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-9\" data-date=\"2026-03-26\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">24<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2018\/08\/03012251\/PopMinimalFIgurative_heroimage.jpg\" alt=\"Thumbnail 24\">\r\n                    <p class=\"title\">Floor 4 \u2013 Ways of Seeing: Fourteen Artists<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-24\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-24\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2018\/08\/03012251\/PopMinimalFIgurative_heroimage.jpg\" alt=\"Visitors viewing the painting Figures with Sunset by Roy Lichtenstein\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Visitors viewing Roy Lichtenstein, <em>Figures with Sunset<\/em>, 1978; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Estate of Roy Lichtenstein; photo: \u00a9 Henrik Kam<\/p>\r\n            <h2 id=\"modal-title\">Floor 4 \u2013 Ways of Seeing: Fourteen Artists<\/h2>\r\n            <div><p>This floor invites visitors into galleries devoted to 14 artists \u2014 Dan Flavin, Philip Guston, Roy Lichtenstein, Agnes Martin, Joan Mitchell, Elizabeth Murray, Sigmar Polke, Gerhard Richter, Richard Serra, and Cy Twombly, among others. Through audio, video, and written materials featuring the artists\u2019 own words, visitors can get to know them as both innovative creators and complex individuals, and connect with the works on a personal level. A multimedia timeline also shares the story of the Fisher Collection and Doris and Donald Fisher\u2019s enduring commitment to make art accessible to the public.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-10\" data-date=\"2026-03-27\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">23<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092033\/RainGardenZagIV_500_FisherCountdown.jpg\" alt=\"Thumbnail 23\">\r\n                    <p class=\"title\">Louise Nevelson, <em>Rain Garden Zag IV<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-23\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-23\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092033\/RainGardenZagIV_500_FisherCountdown.jpg\" alt=\"Black wooden sculptural installation Rain Garden Zag IV by Louise Nevelson\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Louise Nevelson, <em>Rain Garden Zag IV<\/em>, 1978; San Francisco Museum of Modern Art, gift of the Doris and Donald Fisher Collection; \u00a9 Estate of Louise Nevelson \/ Artists Rights Society (ARS), New York; photo: Don Ross<\/p>\r\n            <h2 id=\"modal-title\">Louise Nevelson, <em>Rain Garden Zag IV<\/em><\/h2>\r\n            <div><p>Built from wood scraps gathered on New York City streets and coated entirely in black, <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.87\/\"><em>Rain Garden Zag IV<\/em> (1978)<\/a> rises more than seven feet tall, and embodies Louise Nevelson\u2019s vision of sculpture as a unified field of form and shadow. A yearslong conservation effort restored the work according to the artist\u2019s belief that it should be experienced as a whole. Read more about that conservation effort <a href=\"https:\/\/www.sfmoma.org\/read\/an-architect-of-shadows\/\">here<\/a>.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-11\" data-date=\"2026-03-28\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">22<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092005\/Cronos_500_FisherCountdown.jpg\" alt=\"Thumbnail 22\">\r\n                    <p class=\"title\">Isamu Noguchi, <em>Cronos<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-22\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-22\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092005\/Cronos_500_FisherCountdown.jpg\" alt=\"Sculpture Cronos by Isamu Noguchi\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Isamu Noguchi, <em>Cronos<\/em>, 1947, cast 1986; San Francisco Museum of Modern Art, gift of the Doris and Donald Fisher Collection; \u00a9 Estate of Isamu Noguchi \/ Artists Rights Society (ARS), New York<\/p>\r\n            <h2 id=\"modal-title\">Isamu Noguchi, <em>Cronos<\/em><\/h2>\r\n            <div><p>Inspired by his long collaboration with dancer Martha Graham and reflecting his deep engagement with dance, Isamu Noguchi\u2019s <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.270\/\"><em>Cronos<\/em> (1947, cast 1986)<\/a> draws on the Greek myth of a god who devours his children, evoking cycles of death and rebirth. Created in the aftermath of World War II, the sculpture reflects themes Noguchi would later revisit in his memorial design for Hiroshima.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-12\" data-date=\"2026-03-29\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">21<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092047\/WallDrawing273_500_FisherCountdown.jpg\" alt=\"Thumbnail 21\">\r\n                    <p class=\"title\">Sol LeWitt, <em>Wall Drawing #273<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-21\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-21\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092047\/WallDrawing273_500_FisherCountdown.jpg\" alt=\"Geometric lines drawn on a wall, Wall Drawing #273 by Sol LeWitt\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Sol LeWitt, <em>Wall Drawing #273<\/em>, September 1975; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 The LeWitt Estate \/ Artists Rights Society (ARS), New York; photo: Ian Reeves<\/p>\r\n            <h2 id=\"modal-title\">Sol LeWitt, <em>Wall Drawing #273<\/em><\/h2>\r\n            <div><p>In 1968, Sol LeWitt became convinced that the only way to create a fully two\u2011dimensional work of art was to draw directly on the wall, an approach that led him to devise more than twelve hundred wall drawings over his career. <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.512\/\"><em>Wall Drawing #273<\/em> (1975)<\/a> is created from a set of <a href=\"https:\/\/www.sfmoma.org\/read\/follow-the-lines\/\">precise instructions<\/a> that determine how lines relate to the architecture of the space in which it is drawn. <a href=\"https:\/\/www.sfmoma.org\/read\/what-its-like-to-install-a-sol-lewitt-a-qa\/\">Each time the work is realized<\/a>, it changes in response to the room\u2019s dimensions and the choices made by its drafters, making the drawing both rigorously structured and endlessly variable.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-13\" data-date=\"2026-03-30\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">20<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092038\/SpectrumI_500_FisherCountdown.jpg\" alt=\"Thumbnail 20\">\r\n                    <p class=\"title\">Floor 5 \u2013 Calder, Kelly, LeWitt: Fundamentals of Form<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-20\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-20\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092038\/SpectrumI_500_FisherCountdown.jpg\" alt=\"Color paneled artwork Spectrum I by Ellsworth Kelly\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Ellsworth Kelly, <em>Spectrum I<\/em>, 1953; San Francisco Museum of Modern Art, the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art, and promised gift of Helen and Charles Schwab; \u00a9 Ellsworth Kelly; photo: Ben Blackwell<\/p>\r\n            <h2 id=\"modal-title\">Floor 5 \u2013 Calder, Kelly, LeWitt: Fundamentals of Form<\/h2>\r\n            <div><p>Floor 5 highlights the groundbreaking work of Alexander Calder, Ellsworth Kelly (shown above, <a href=\"https:\/\/www.sfmoma.org\/artwork\/99.353\/\"><em>Spectrum I<\/em>, 1953<\/a>), and Sol LeWitt, three artists collected in exceptional depth by Doris and Donald Fisher. Though emerging from different historical moments, they are united by their exploration of line, color, shape, architecture, and systems of chance and repetition.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-14\" data-date=\"2026-03-31\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">19<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/27171108\/Fisher2026_REN_CoLAB-2026-03-25_1000.jpg\" alt=\"Thumbnail 19\">\r\n                    <p class=\"title\">The Co-Lab<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-19\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-19\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/27171108\/Fisher2026_REN_CoLAB-2026-03-25_1000.jpg\" alt=\"Families and children interacting in The Co-Lab studio space\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Families and children interacting in The Co-Lab studio space<\/p>\r\n            <h2 id=\"modal-title\">The Co-Lab<\/h2>\r\n            <div><p>A newly created studio space offers hands-on activities for adults, families, and children, with family-friendly labels and vibrant design elements that invites visitors of all ages to gather, learn, relax, and explore together.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-15\" data-date=\"2026-04-01\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">18<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092012\/FiddlersFoot_500_FisherCountdown.jpg\" alt=\"Thumbnail 18\">\r\n                    <p class=\"title\">John Chamberlain, <em>Fiddler\u2019s Foot<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-18\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-18\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092012\/FiddlersFoot_500_FisherCountdown.jpg\" alt=\"Wall-mounted crushed metal sculpture Fiddler's Foot by John Chamberlain\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">John Chamberlain, <em>Fiddler&#8217;s Foot<\/em>, 1978; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 John Chamberlain \/ Artists Rights Society (ARS), New York<\/p>\r\n            <h2 id=\"modal-title\">John Chamberlain, <em>Fiddler\u2019s Foot<\/em><\/h2>\r\n            <div><p>Returning to found car parts in the mid\u20111970s, John Chamberlain created large-scale wall-mounted sculptures like <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.783\/\"><em>Fiddler\u2019s Foot<\/em> (1978)<\/a>, transforming metal into expressive forms inspired by abstract painting.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-16\" data-date=\"2026-04-02\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">17<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092001\/AsItGoes_500_FisherCountdown.jpg\" alt=\"Thumbnail 17\">\r\n                    <p class=\"title\">Philip Guston, <em>As It Goes<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-17\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-17\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092001\/AsItGoes_500_FisherCountdown.jpg\" alt=\"Abstract painting As It Goes by Philip Guston\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Philip Guston, <em>As It Goes<\/em>, 1978; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 The Estate of Philip Guston<\/p>\r\n            <h2 id=\"modal-title\">Philip Guston, <em>As It Goes<\/em><\/h2>\r\n            <div><p>Created just two years before Philip Guston\u2019s death, the painting <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.501\/\"><em>As It Goes<\/em> (1978)<\/a> brings together recurring motifs from his late work (brushes, glasses, clenched fists, and shoe soles) to form a haunting, symbolic self-portrait shaped by creativity and mortality.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-17\" data-date=\"2026-04-03\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">16<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092023\/ManWithLadder_500_FisherCountdown.jpg\" alt=\"Thumbnail 16\">\r\n                    <p class=\"title\">Duane Hanson, <em>Man with Ladder<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-16\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-16\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092023\/ManWithLadder_500_FisherCountdown.jpg\" alt=\"Lifelike sculpture of a man holding a ladder by Duane Hanson\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Duane Hanson, <em>Man with Ladder<\/em>, 1994; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Estate of Duane Hanson \/ Licensed by VAGA at ARS, New York, NY; photo: Katherine Du Tiel<\/p>\r\n            <h2 id=\"modal-title\">Duane Hanson, <em>Man with Ladder<\/em><\/h2>\r\n            <div><p>At first glance, this figure appears to be a museum worker pausing mid-task. In fact, <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.537\/\"><em>Man with Ladder<\/em> (1994)<\/a> is a lifelike sculpture by Duane Hanson, who used real clothing and tools to portray working people he regarded as the often-overlooked heroes of society.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-18\" data-date=\"2026-04-04\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">15<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092007\/DasMuseum_500_FisherCountdown.jpg\" alt=\"Thumbnail 15\">\r\n                    <p class=\"title\">Floor 6 \u2013 Memory and Matter: Personal and Collective Histories<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-15\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-15\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092007\/DasMuseum_500_FisherCountdown.jpg\" alt=\"Detail view of the artwork Das Museum by Anselm Kiefer\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Anselm Kiefer, <em>Das Museum<\/em> (Museum), 1984\u2013\u20601992 (detail); the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Anselm Kiefer; photo: Katherine Du Tiel<\/p>\r\n            <h2 id=\"modal-title\">Floor 6 \u2013 Memory and Matter: Personal and Collective Histories<\/h2>\r\n            <div><p>This floor brings together artists whose work engages with memory and history, centering on Anselm Kiefer (shown above, <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.522\/\"><em>Das Museum<\/em>, 1984-1992<\/a>) and William Kentridge, who examine the legacies of nationalism and colonialism through material, process, and narrative. Additional galleries feature artists who use personal and collective memory to explore how the past continues to echo in the present. The Kentridge galleries are designed by the artist\u2019s longtime collaborator, <a href=\"https:\/\/www.sfmoma.org\/read\/the-magic-of-transformation\/\">Sabine Theunissen<\/a>, creating a contemplative space for audiences to engage deeply with the works.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-19\" data-date=\"2026-04-05\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">14<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17114841\/Floor_5_Seating.jpg\" alt=\"Thumbnail 14\">\r\n                    <p class=\"title\">Room to Linger<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-14\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-14\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17114841\/Floor_5_Seating.jpg\" alt=\"Seating area in the museum galleries for visitors to rest\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">View of new seating at SFMOMA for visitors on Floor 5<\/p>\r\n            <h2 id=\"modal-title\">Room to Linger<\/h2>\r\n            <div><p>To encourage further reflection, comfier furniture and more seating let you slow down and take in the details. For example, floor 5 (as seen above) has a new spot to lounge, and floor 6 features large seating areas and contemplative spaces where visitors can pause and listen to personal audio responses from Bay Area poets and creatives, illuminating the ongoing relevance of the works on view.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-20\" data-date=\"2026-04-06\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">13<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092015\/FiguresWithSunset_500_FisherCountdown.jpg\" alt=\"Thumbnail 13\">\r\n                    <p class=\"title\">Roy Lichtenstein, <em>Figures with Sunset<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-13\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-13\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092015\/FiguresWithSunset_500_FisherCountdown.jpg\" alt=\"Pop art painting Figures with Sunset by Roy Lichtenstein\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Roy Lichtenstein, <em>Figures with Sunset<\/em>, 1978; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art and the San Francisco Museum of Modern Art; \u00a9 Estate of Roy Lichtenstein; photo: Katherine Du Tiel<\/p>\r\n            <h2 id=\"modal-title\">Roy Lichtenstein, <em>Figures with Sunset<\/em><\/h2>\r\n            <div><p>Rendered in Roy Lichtenstein\u2019s unmistakable comic\u2011based style, <a href=\"https:\/\/www.sfmoma.org\/artwork\/99.374\/\"><em>Figures with Sunset<\/em><\/a> (1978) uses a radiant sunset to frame fragmented, Surrealist\u2011inspired forms. Together with <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.75\/\"><em>Nerts<\/em><\/a> (1978) \u2014 the first major work acquired by Doris and Donald Fisher in 1979 \u2014 the painting highlights the origins of the collection and Lichtenstein\u2019s dialogue between fine art and popular imagery.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-21\" data-date=\"2026-04-07\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">12<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092003\/Bracket_500_FisherCountdown.jpg\" alt=\"Thumbnail 12\">\r\n                    <p class=\"title\">Joan Mitchell, <em>Bracket<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-12\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-12\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092003\/Bracket_500_FisherCountdown.jpg\" alt=\"Large abstract expressionist painting Bracket by Joan Mitchell\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Joan Mitchell, <em>Bracket<\/em>, 1989; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Estate of Joan Mitchell<\/p>\r\n            <h2 id=\"modal-title\">Joan Mitchell, <em>Bracket<\/em><\/h2>\r\n            <div><p>In <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.838.A-C\/\"><em>Bracket<\/em> (1989)<\/a>, Joan Mitchell joins multiple canvases to create an expansive, immersive composition inspired by her experience of the landscape. Painted just three years before her death, the work pulses with bold color and energetic brushwork, capturing not nature itself but what it left with her through memory.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-22\" data-date=\"2026-04-08\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">11<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092025\/MyManhattanJanuary_500_FisherCountdown.jpg\" alt=\"Thumbnail 11\">\r\n                    <p class=\"title\">Elizabeth Murray, <em>My Manhattan, January<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-11\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-11\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092025\/MyManhattanJanuary_500_FisherCountdown.jpg\" alt=\"Warped abstract canvas My Manhattan, January by Elizabeth Murray\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Elizabeth Murray, <em>My Manhattan, January<\/em>, 1987; The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Estate of Elizabeth Murray \/ Artists Rights Society (ARS), New York; photo: Katherine Du Tiel <\/p>\r\n            <h2 id=\"modal-title\">Elizabeth Murray, <em>My Manhattan, January<\/em><\/h2>\r\n            <div><p>In the warped canvas of <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.519\/\"><em>My Manhattan, January<\/em> (1987)<\/a>, Elizabeth Murray transforms everyday studio objects into a distorted, table\u2011like form, where bodily references and splashes of paint blur the line between familiar imagery and the act of painting itself.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-23\" data-date=\"2026-04-09\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">10<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17172722\/Accessible_Storytelling.jpg\" alt=\"Thumbnail 10\">\r\n                    <p class=\"title\">Accessible Storytelling<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-10\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-10\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17172722\/Accessible_Storytelling.jpg\" alt=\"Multimedia interpretive panel introducing an artist in the gallery\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Rendering of interpretive panel on Floor 4 introducing the artists in the gallery<\/p>\r\n            <h2 id=\"modal-title\">Accessible Storytelling<\/h2>\r\n            <div><p>Gallery signage throughout the installation expands traditional wall texts with tactile maps, directional signage, and interpretive materials that welcome visitors of all abilities. On Floor 4, multimedia interpretive panels introduce each artist and personalize their work through multiple modes of engagement.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-24\" data-date=\"2026-04-10\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">9<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092042\/Springbrunnen_500_FisherCountdown.jpg\" alt=\"Thumbnail 9\">\r\n                    <p class=\"title\">Sigmar Polke, <em>Springbrunnen (Fountain)<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-9\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-9\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092042\/Springbrunnen_500_FisherCountdown.jpg\" alt=\"Painting of a fountain using halftone dots by Sigmar Polke\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Sigmar Polke, <em>Springbrunnen<\/em> (Fountain), 1966; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Estate of Sigmar Polke \/ Artists Rights Society (ARS), New York \/ VG Bild-Kunst, Bonn, Germany; photo: Barbara Gladstone Gallery, New York <\/p>\r\n            <h2 id=\"modal-title\">Sigmar Polke, <em>Springbrunnen (Fountain)<\/em><\/h2>\r\n            <div><p>In <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.312\/\"><em>Springbrunnen<\/em> (1966)<\/a>, Sigmar Polke depicts a garden scene using his signature <em>Rasterbilder<\/em> (halftone) technique, drawn from printed images. Unlike the uniform dots of commercial printing, or Roy Lichtenstein\u2019s Benday dots, Polke varies the size, density, and color of his dots, deliberately distorting the image.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-25\" data-date=\"2026-04-11\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">8<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092035\/SeufzerDerStein_500_FisherCountdown.jpg\" alt=\"Thumbnail 8\">\r\n                    <p class=\"title\">Rebecca Horn, <em>Seufzer der Stein<\/em> (The Sighs of Stones)<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-8\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-8\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092035\/SeufzerDerStein_500_FisherCountdown.jpg\" alt=\"Sculptural installation Seufzer der Stein by Rebecca Horn\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Rebecca Horn, <em>Seufzer der Stein<\/em> (The Sighs of Stones), 1996; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Artists Rights Society (ARS), New York \/ Beeldrecht, Amsterdam <\/p>\r\n            <h2 id=\"modal-title\">Rebecca Horn, <em>Seufzer der Stein<\/em> (The Sighs of Stones)<\/h2>\r\n            <div><p>Rebecca Horn\u2019s <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.580.A-B\/\"><em>Seufzer der Stein<\/em> (The Sighs of Stones) (1996)<\/a> releases haunting violin cries at regular intervals through mechanical bows. The work reflects Horn\u2019s long\u2011standing exploration of sound, memory, and history, suggesting music as a voice for experiences marked by trauma and silence.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-26\" data-date=\"2026-04-12\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">7<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092020\/HouseOfCards_500_FisherCountdown.jpg\" alt=\"Thumbnail 7\">\r\n                    <p class=\"title\">Richard Serra, <em>House of Cards<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-7\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-7\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092020\/HouseOfCards_500_FisherCountdown.jpg\" alt=\"Four heavy lead plates leaning against each other, House of Cards by Richard Serra\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Richard Serra, <em>House of Cards<\/em>, 1969\/1978; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Richard Serra \/ Artists Rights Society (ARS), New York<\/p>\r\n            <h2 id=\"modal-title\">Richard Serra, <em>House of Cards<\/em><\/h2>\r\n            <div><p>In <a href=\"https:\/\/www.sfmoma.org\/artwork\/94.453.A-D\/\"><em>House of Cards<\/em> (1969\/1978)<\/a>, four heavy lead plates lean against one another, held upright solely by their own weight. Though they appear precarious, the work achieves a tense equilibrium, embodying Richard Serra\u2019s investigation of gravity, balance, and the physical relationship between bodies in space.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-27\" data-date=\"2026-04-13\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">6<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17114839\/Floor_3_New_Design_Thinking_Big.jpg\" alt=\"Thumbnail 6\">\r\n                    <p class=\"title\">Fresh, New Design<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-6\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-6\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/17114839\/Floor_3_New_Design_Thinking_Big.jpg\" alt=\"View of the newly designed exhibition space with vibrant colors and integrated furniture\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">View of Floor 3 wall design<\/p>\r\n            <h2 id=\"modal-title\">Fresh, New Design<\/h2>\r\n            <div><p>Inspired by the Fisher Collection, the exhibition design uses bold color palettes, thoughtfully integrated furniture, and dynamic graphics that engage directly with SFMOMA\u2019s architecture to create welcoming, immersive spaces beyond the white cube.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-28\" data-date=\"2026-04-14\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">5<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/13152507\/Audio-Guide-Example-Still.png\" alt=\"Thumbnail 5\">\r\n                    <p class=\"title\">Stories Through Audio<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-5\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-5\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/03\/13152507\/Audio-Guide-Example-Still.png\" alt=\"Visitor using the SFMOMA audio guide in the gallery\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">SFMOMA Audio Guide<\/p>\r\n            <h2 id=\"modal-title\">Stories Through Audio<\/h2>\r\n            <div><p>Audio guides throughout the galleries offer rich storytelling across the Fisher Collection, featuring artist interviews and commentary. With stops in multiple languages and a narrative thread spanning all floors, the guides trace both individual works and the development of the collection itself. Tune in <a href=\"https:\/\/www.sfmoma.org\/audio\/\">here<\/a>.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-29\" data-date=\"2026-04-15\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">4<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092009\/DemUnbekanntenMaler_500_FisherCountdown.jpg\" alt=\"Thumbnail 4\">\r\n                    <p class=\"title\">Anselm Kiefer, <em>Dem unbekannten Maler<\/em> (To the Unknown Painter)<\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-4\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-4\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092009\/DemUnbekanntenMaler_500_FisherCountdown.jpg\" alt=\"Painting Dem unbekannten Maler by Anselm Kiefer showing an artist's palette in a bunker\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Anselm Kiefer, <em>Dem unbekannten Maler<\/em> (To the Unknown Painter), 1982; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Anselm Kiefer<\/p>\r\n            <h2 id=\"modal-title\">Anselm Kiefer, <em>Dem unbekannten Maler<\/em> (To the Unknown Painter)<\/h2>\r\n            <div><p>In <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.548\/\"><em>Dem unbekannten Maler<\/em> (To the Unknown Painter) (1982)<\/a>, Anselm Kiefer evokes an unrealized Nazi memorial, replacing its intended victory statue with a solitary artist\u2019s palette. Both vulnerable and radiant, the palette suggests art as a victim of oppression and at the same time its enduring potential as a source of renewal. <\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-30\" data-date=\"2026-04-16\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">3<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092045\/Untitled_500_FisherCountdown.jpg\" alt=\"Thumbnail 3\">\r\n                    <p class=\"title\">Jannis Kounellis, <em>Untitled<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-3\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-3\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092045\/Untitled_500_FisherCountdown.jpg\" alt=\"Sculpture made of everyday materials, Untitled by Jannis Kounellis\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Janis Kounellis, <em>Untitled<\/em>, 1983; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Estate of Jannis Kounellis; photo: Katherine Du Tiel<\/p>\r\n            <h2 id=\"modal-title\">Jannis Kounellis, <em>Untitled<\/em><\/h2>\r\n            <div><p>In <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.402\/\"><em>Untitled<\/em> (1983)<\/a>, Jannis Kounellis draws on the ideas of <em>Arte Povera<\/em>, using humble, everyday materials to reflect the lived reality of the modern city. Rather than invoking classical grandeur, the work finds poetry in the ordinary and the discarded.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-31\" data-date=\"2026-04-17\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">2<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092017\/Fishy_500_FisherCountdown.jpg\" alt=\"Thumbnail 2\">\r\n                    <p class=\"title\">Alexander Calder, <em>Fishy<\/em><\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-2\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-2\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2026\/04\/16092017\/Fishy_500_FisherCountdown.jpg\" alt=\"Hanging mobile sculpture Fishy by Alexander Calder\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">Alexander Calder, <em>Fishy<\/em>, 1962; the Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art; \u00a9 Calder Foundation, New York \/ Artists Rights Society (ARS), New York; photo: Katherine Du Tiel<\/p>\r\n            <h2 id=\"modal-title\">Alexander Calder, <em>Fishy<\/em><\/h2>\r\n            <div><p>In <a href=\"https:\/\/www.sfmoma.org\/artwork\/FC.330.A-D\/\"><em>Fishy<\/em> (1962)<\/a>, Alexander Calder uses bright primary colors and subtly moving elements to suggest the form and fluid motion of a fish without depicting it directly. Anchored to the wall yet animated by gentle movement, the work reflects Calder\u2019s shift toward abstraction and his enduring fascination with the sea.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <div id=\"day-32\" data-date=\"2026-04-18\">\r\n        <label>\r\n            <input type=\"checkbox\">\r\n            <div class=\"door\">\r\n                <div class=\"front\">1<\/div>\r\n                <div class=\"back\">\r\n                    <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2020\/10\/07104207\/SFMOMA_%C2%A9Henrik-Kam_small.jpg\" alt=\"Thumbnail 1\">\r\n                    <p class=\"title\">A New Chapter Unveiled <\/p>\r\n                    <a href=\"#\" data-modal-target=\"#modal-1\"><\/a>\r\n                <\/div>\r\n            <\/div>\r\n        <\/label>\r\n        <template id=\"modal-1\">\r\n            <img decoding=\"async\" src=\"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2020\/10\/07104207\/SFMOMA_%C2%A9Henrik-Kam_small.jpg\" alt=\"Exterior view of SFMOMA building\">\r\n            <p class=\"modal-caption\" aria-hidden=\"true\">SFMOMA; photo: \u00a9 Henrik Kam<\/p>\r\n            <h2 id=\"modal-title\">A New Chapter Unveiled<\/h2>\r\n            <div><p>Today, on April 18, 2026, SFMOMA reveals a fully reimagined presentation of the <a href=\"https:\/\/www.sfmoma.org\/artists-artworks\/?_on_view=0&#038;_collection_id=155\">Doris and Donald Fisher Collection<\/a>! Spanning four floors and featuring nearly 250 works by 35 artists, <a href=\"https:\/\/www.sfmoma.org\/read\/6-curators-picks-from-reimagined-the-fisher-collection-at-10\/\">the new installation<\/a> transforms how modern and contemporary art is experienced through inclusive design, accessible storytelling, and deeply personal connections to artists, artworks, and the collection\u2019s history.<\/p><\/div>\r\n        <\/template>\r\n    <\/div>\r\n\r\n    <dialog id=\"calendar-modal\" class=\"iv-modal details\" aria-labelledby=\"modal-title\" aria-modal=\"true\">\r\n        <div class=\"iv-card\">\r\n            <button class=\"iv-close\" aria-label=\"Close dialog\" formmethod=\"dialog\" autofocus>&times;<\/button>\r\n            <div id=\"dlgBody\">\r\n                <\/div>\r\n        <\/div>\r\n    <\/dialog>\r\n<\/section>\r\n\r\n<script type=\"text\/javascript\" src=\"\/wp-content\/themes\/sfmomatheme\/js\/modules\/opener.js?v=1.7\"><\/script>","protected":false},"excerpt":{"rendered":"Count down with us to the reopening of Reimagined: The Fisher Collection at 10. Each day, discover highlights from the newly transformed galleries presenting the Doris and Donald Fisher Collection\u2014nearly 250 artworks across four floors, reimagined for the first time in a decade. Click or tap on each door to learn more! 32 Doris and [&hellip;]","protected":false},"author":1485,"featured_media":870153,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_lmt_disableupdate":"no","_lmt_disable":"","ep_exclude_from_search":false,"footnotes":"","_wp_rev_ctl_limit":""},"coauthors":[1743],"class_list":["post-870148","page","type-page","status-publish","has-post-thumbnail","hentry","theme-play-interact","no-wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/pages\/870148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/users\/1485"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/comments?post=870148"}],"version-history":[{"count":6,"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/pages\/870148\/revisions"}],"predecessor-version":[{"id":874141,"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/pages\/870148\/revisions\/874141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/media\/870153"}],"wp:attachment":[{"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/media?parent=870148"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.sfmoma.org\/wp-json\/wp\/v2\/coauthors?post=870148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}